Elias Nafaa is an  artist, architect, and researcher working between Montréal and Beirut. Through sculpture, moving-image essays, and archival interventions, he examines how infrastructures of protection can mirror the very violence they claim to avert. Navigating the fragile line where acts of care tip into coercion, Nafaa translates states of emergency into charged material and narrative forms.

A graduate of Ashkal Alwan’s Home Workspace Program, he is part of the Public Programs team at the Canadian Centre for Architecture and a 2025 Venice Architecture Biennale Fellow (Canada Council for the Arts). His work has been presented at Galerie Tanit (Beirut) and the Institut du monde arabe (Paris), with a forthcoming presentation at Manif d’art, Québec Biennale (Québec City). It is held in the collections of the Institut du monde arabe (Donation Claude & France Lemand), the Dalloul Art Foundation, and the Beirut Museum of Art.





Unfolding Landscapes
Group exhibition
Beirut Museum of Art (BeMA), Lebanon
2025-2026

Beiteddine Palace, Chouf, Lebanon (July 11 to August 31, 2025) 
Villa Audi Mosaic Museum, Beirut, Lebanon (December 11, 2025 to February 24, 2026)

Unfolding Landscapes is the inaugural exhibition of BeMA’s Ambulant Arts program, an itinerant format that circulates works beyond the museum’s walls. Inspired by the Sandouk el-Ferjeh and cabinets of curiosities, it unfolds through mobile display units and invites viewers to reconsider landscape as a cultural, scientific, and historical construction. Organized around four themes (geology, flora, skies, and human natures), it brings works from the Lebanese Ministry of Culture’s collection into dialogue with new commissions.

Nafaa’s Conversation with the Strata (in collaboration with Yara Mahdi) examines restoration through geological thinking, using scientific and conservation imagery to trace how damage, neglect, and repair accumulate like layers. Working from paintings by Moustafa Farroukh and Georges Guv, the project moves between evidence and substitution, and asks how decisions of care shape what is preserved and what is allowed to disappear.

© 2026 Elias Nafaa Montréal / Beirut